Raven's Hollow
There’s a place where the mist never lifts, and the ravens never forget. In the shadows of the pinewood hollow, something ancient took root in the shape of a girl—silent, watchful, and bound to the sorrow of the land. They called her cursed, called her gone. But the wind still whispers her name, and the ravens still circle. Those who seek her do not always return with answers, but they come back changed. Raven’s Hollow is not a story. It’s a reckoning.
Scent Profile
Top: Bergamot, Coriander
Heart: Orange, Amber
Base: Frankincense, Myrrh, Dark Musk
Scent Profile
Top: Bergamot, Coriander
Heart: Orange, Amber
Base: Frankincense, Myrrh, Dark Musk

The Story of
Raven's Hollow
It began with a storm, not one of thunder and lightning, but the kind that turns the sky green and makes the air feel like it's holding its breath. In that breathless hush, she was born. Her mother, already marked as strange by the townsfolk, never spoke again after the child arrived. She just sat in her rocking chair by the window, eyes fixed on the woods beyond the hollow as if watching for someone only she could see. No one ever spoke of the father. No one dared ask.
The girl—if she ever had a given name, it was forgotten—grew up in a crooked cabin on the edge of the pines, near a place where the trees grew close, and the mist never lifted. The ravens came early. First, just one, then many. They circled the hollow in slow, deliberate spirals, perching on the cabin roof, the split-rail fence, and the window sills. They seemed to know her. And she knew them. She never spoke to another soul, but to the ravens, she murmured constantly in a language made of clicks and sighs. The birds answered.
She walked barefoot even in winter. Pale as river fog, with black hair that tangled like brambles and eyes so dark they caught the moonlight. Children dared each other to follow her path through the woods. Most turned back before the mist grew thick. One boy claimed she looked right at him, and he forgot his own name for three days.
The town called her cursed. Bad things started happening. Livestock miscarried. Wells went dry. A fire took the schoolhouse in the dead of night, though the air was damp and the sky was clear. When a traveling preacher choked on his own tongue mid-sermon, folks said she'd been seen standing beneath the chapel bell tower the day before. They began crossing themselves at the sound of wings overhead. Mothers pulled children indoors at dusk.
Then, one morning, she was gone. The cabin stood open, empty. Dust on the floor, cold ashes in the hearth. A small pile of raven feathers was left in the center of the room like a farewell. Some say there were symbols scrawled on the walls in ash and blood, though no one could read them. The ravens stayed a while—days, weeks—but slowly, they too disappeared into the trees. The town tried to forget.
But Raven's Hollow did not.
Every year, on the same night she vanished, someone wakes to a tapping at their window. Always just before dawn. Always when the moon is low and red. Sometimes, it's a feather on the sill. Sometimes, it's the sound of whispering from the woods. But always, the air smells faintly of smoke and myrrh. And if you're brave—or foolish—enough to speak her name (if you remember it), you'll dream of her.
In the dream, you're back in the hollow. The trees press close, and everything is quiet except for the soft rustle of wings. She steps from the mist like a memory that was waiting. She doesn't speak. She never does. But her gaze holds you. It un-spools things inside you—memories you buried, truths you feared, names you never meant to say out loud. She listens. And when you wake, you remember. Not always what she showed you. But that she was there.
Some say she was never a girl at all but something older wearing a child's shape. Others say she was a seer, a witch born too close to the veil. A few whisper she was mercy—sent to take the pain no one else could bear. The town has no monuments, no records of her life. Only stories passed in low voices, like prayers or warnings.
There's an old woman who lives alone on the ridge now, well past where the roads stop. She burns sage every morning and wears a carved raven feather around her neck. She doesn't answer questions, but if you bring her tobacco and sweet tea, she'll tell you how the girl's mother used to hum lullabies to the birds. How the girl's hair never grew longer than her shoulders no matter how much time passed. How, one winter, she disappeared for three days and came back with a scar down her spine that pulsed with heat.
"She knew things," the woman will say, her voice full of smoke. "Things she didn't ask to know. She could read what the earth forgot, and she never needed to be told what had been lost.
"There are drawings in the woman's house—strange patterns inked in ochre and coal, some resembling feathers, others like eyes. One wall is covered entirely in red thread, pinned in loops and knots that mean nothing to most but form a map if you squint just right. She says it's how the girl left messages when words failed her.
Somewhere in the hollow, they say, there's a stone ring deep beneath the roots where the ravens still gather. A circle where the air hums and the mist thickens, where no snow ever falls, and no birds but hers will land. Step inside, and the wind dies. You can hear your own breath like thunder in your ears. You'll find a single candle stub and a small dish of bones. Leave something behind, and you may leave with something else. But never take. Never speak. And never stay past moon-rise.
People still go. A few every year. The curious, the brokenhearted, the ones with questions too heavy for the world outside. Most come back shaken. A few don't speak for days. One girl carved a raven into her skin the night after her visit and said it was to remember. Another buried her wedding ring there and never looked back. One man claimed he heard his mother's voice for the first time in twenty years—just a whisper, carried on wind that shouldn't have reached that deep into the hollow.
Some claim the girl was a harbinger. Others call her a guardian. One woman who saw her in a dream said she touched her chest, and a lump the doctors couldn't explain disappeared by morning. A man who tried to record her whispering woke to find his tape melted inside the machine. Some say the ravens are her messengers now—a black-feathered parliament that sees all, remembers all, and warns the willing and the doomed alike.
And always, the ravens watch. They perch on gravestones, telephone wires, and fence posts at the edge of fields. They call out in voices that sound like grief. They leave feathers in doorways, black and glossy, still warm to the touch. Some say that if you burn one, the smoke rises in a straight column, regardless of the wind. Others say it draws her near.
There are still those who whisper her name in prayer. Not for safety but for understanding. For reckoning. For a truth the world has forgotten. They say she comes to the ones who carry the most sorrow. That her presence doesn't heal, but it makes the burden bearable.
The hollow remains unchanged. The trees never fall. The mist never lifts. Time moves strangely there, curling around itself like smoke. No birdsong, save for the ravens. No tracks in the snow, though something walks there. Something old. Something still listening. And the cabin? It's still there. The roof has caved in, vines have swallowed the chimney, but sometimes, smoke rises from the hearth. Just a wisp. Just enough to make you wonder if she ever left at all.
Some believe the hollow itself is alive now—rooted in memory, shaped by grief, fed by every offering left in silence. That the girl became more than legend, more than shadow. That she is the voice in the mist, the hush before thunder, the stillness between heartbeats. That she waits not to haunt but to witness.
Others have claimed to see her reflection in glassy puddles after rain or in the last window before they fall asleep. One woman swears she saw the girl's shadow on her hospital wall just before her daughter woke from a month-long coma. Another found a raven feather tucked in a book she hadn't opened in years, and when she turned the page, there was a poem in her grandmother's handwriting she thought had been lost forever.
Even now, artists paint her likeness without knowing why—always the same dark eyes, the same tangled hair, the same silence. She appears in dreams, in melodies hummed with no origin, in stories whispered by children with no business knowing such things. She is stitched into the very hush between words.
So, if you find yourself drawn to Raven's Hollow, come with respect. Come with a story to offer, a grief to name, a question too heavy to carry alone. And if you wake with the sound of wings in your ears and the scent of ash on your pillow, know this:
She heard you.
And she remembers.
The girl—if she ever had a given name, it was forgotten—grew up in a crooked cabin on the edge of the pines, near a place where the trees grew close, and the mist never lifted. The ravens came early. First, just one, then many. They circled the hollow in slow, deliberate spirals, perching on the cabin roof, the split-rail fence, and the window sills. They seemed to know her. And she knew them. She never spoke to another soul, but to the ravens, she murmured constantly in a language made of clicks and sighs. The birds answered.
She walked barefoot even in winter. Pale as river fog, with black hair that tangled like brambles and eyes so dark they caught the moonlight. Children dared each other to follow her path through the woods. Most turned back before the mist grew thick. One boy claimed she looked right at him, and he forgot his own name for three days.
The town called her cursed. Bad things started happening. Livestock miscarried. Wells went dry. A fire took the schoolhouse in the dead of night, though the air was damp and the sky was clear. When a traveling preacher choked on his own tongue mid-sermon, folks said she'd been seen standing beneath the chapel bell tower the day before. They began crossing themselves at the sound of wings overhead. Mothers pulled children indoors at dusk.
Then, one morning, she was gone. The cabin stood open, empty. Dust on the floor, cold ashes in the hearth. A small pile of raven feathers was left in the center of the room like a farewell. Some say there were symbols scrawled on the walls in ash and blood, though no one could read them. The ravens stayed a while—days, weeks—but slowly, they too disappeared into the trees. The town tried to forget.
But Raven's Hollow did not.
Every year, on the same night she vanished, someone wakes to a tapping at their window. Always just before dawn. Always when the moon is low and red. Sometimes, it's a feather on the sill. Sometimes, it's the sound of whispering from the woods. But always, the air smells faintly of smoke and myrrh. And if you're brave—or foolish—enough to speak her name (if you remember it), you'll dream of her.
In the dream, you're back in the hollow. The trees press close, and everything is quiet except for the soft rustle of wings. She steps from the mist like a memory that was waiting. She doesn't speak. She never does. But her gaze holds you. It un-spools things inside you—memories you buried, truths you feared, names you never meant to say out loud. She listens. And when you wake, you remember. Not always what she showed you. But that she was there.
Some say she was never a girl at all but something older wearing a child's shape. Others say she was a seer, a witch born too close to the veil. A few whisper she was mercy—sent to take the pain no one else could bear. The town has no monuments, no records of her life. Only stories passed in low voices, like prayers or warnings.
There's an old woman who lives alone on the ridge now, well past where the roads stop. She burns sage every morning and wears a carved raven feather around her neck. She doesn't answer questions, but if you bring her tobacco and sweet tea, she'll tell you how the girl's mother used to hum lullabies to the birds. How the girl's hair never grew longer than her shoulders no matter how much time passed. How, one winter, she disappeared for three days and came back with a scar down her spine that pulsed with heat.
"She knew things," the woman will say, her voice full of smoke. "Things she didn't ask to know. She could read what the earth forgot, and she never needed to be told what had been lost.
"There are drawings in the woman's house—strange patterns inked in ochre and coal, some resembling feathers, others like eyes. One wall is covered entirely in red thread, pinned in loops and knots that mean nothing to most but form a map if you squint just right. She says it's how the girl left messages when words failed her.
Somewhere in the hollow, they say, there's a stone ring deep beneath the roots where the ravens still gather. A circle where the air hums and the mist thickens, where no snow ever falls, and no birds but hers will land. Step inside, and the wind dies. You can hear your own breath like thunder in your ears. You'll find a single candle stub and a small dish of bones. Leave something behind, and you may leave with something else. But never take. Never speak. And never stay past moon-rise.
People still go. A few every year. The curious, the brokenhearted, the ones with questions too heavy for the world outside. Most come back shaken. A few don't speak for days. One girl carved a raven into her skin the night after her visit and said it was to remember. Another buried her wedding ring there and never looked back. One man claimed he heard his mother's voice for the first time in twenty years—just a whisper, carried on wind that shouldn't have reached that deep into the hollow.
Some claim the girl was a harbinger. Others call her a guardian. One woman who saw her in a dream said she touched her chest, and a lump the doctors couldn't explain disappeared by morning. A man who tried to record her whispering woke to find his tape melted inside the machine. Some say the ravens are her messengers now—a black-feathered parliament that sees all, remembers all, and warns the willing and the doomed alike.
And always, the ravens watch. They perch on gravestones, telephone wires, and fence posts at the edge of fields. They call out in voices that sound like grief. They leave feathers in doorways, black and glossy, still warm to the touch. Some say that if you burn one, the smoke rises in a straight column, regardless of the wind. Others say it draws her near.
There are still those who whisper her name in prayer. Not for safety but for understanding. For reckoning. For a truth the world has forgotten. They say she comes to the ones who carry the most sorrow. That her presence doesn't heal, but it makes the burden bearable.
The hollow remains unchanged. The trees never fall. The mist never lifts. Time moves strangely there, curling around itself like smoke. No birdsong, save for the ravens. No tracks in the snow, though something walks there. Something old. Something still listening. And the cabin? It's still there. The roof has caved in, vines have swallowed the chimney, but sometimes, smoke rises from the hearth. Just a wisp. Just enough to make you wonder if she ever left at all.
Some believe the hollow itself is alive now—rooted in memory, shaped by grief, fed by every offering left in silence. That the girl became more than legend, more than shadow. That she is the voice in the mist, the hush before thunder, the stillness between heartbeats. That she waits not to haunt but to witness.
Others have claimed to see her reflection in glassy puddles after rain or in the last window before they fall asleep. One woman swears she saw the girl's shadow on her hospital wall just before her daughter woke from a month-long coma. Another found a raven feather tucked in a book she hadn't opened in years, and when she turned the page, there was a poem in her grandmother's handwriting she thought had been lost forever.
Even now, artists paint her likeness without knowing why—always the same dark eyes, the same tangled hair, the same silence. She appears in dreams, in melodies hummed with no origin, in stories whispered by children with no business knowing such things. She is stitched into the very hush between words.
So, if you find yourself drawn to Raven's Hollow, come with respect. Come with a story to offer, a grief to name, a question too heavy to carry alone. And if you wake with the sound of wings in your ears and the scent of ash on your pillow, know this:
She heard you.
And she remembers.


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